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Uncanniness – Part 2 (BT189) (2024) Painting by Noël Van Hoof
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Seller Noël Van Hoof
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Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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- Watercolor on Cardboard
- Dimensions 19.7x15.8 in
Dimensions of the work alone, without framing: Height 14.2in, Width 11.8in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Fantasy
By this time we can see phenomenally what falling, as fleeing, flees in the face of. It does not flee in the face of entities within-the-world; these are precisely what it flees towards – as entities alongside which our concern, lost in the “they”, can dwell in tranquillized familiarity. When in falling we flee into the at-home of publicness, we flee in the face of the “not-at-home”; that is, we flee in the face of the uncanniness which lies in Dasein – in Dasein as thrown Being-in-the-world, which has been delivered over to itself in its Being. This uncanniness pursues Dasein constantly, and in a threat to its everyday lostness in the “they”, though not explicitly. This threat can go together factically with complete assurance and self-sufficiency in one's everyday concern. Anxiety can arise in the most innocuous Situations. Nor does it have any need for darkness, in which it is commonly easier for one to feel uncanny. In the dark there is emphatically 'nothing' to see, though the very world itself is still 'there', and 'there' more obtrusively.
If we Interpret Dasein's uncanniness from an existential-ontological point of view as a threat which reaches Dasein itself and which comes from Dasein itself, we are not contending that in factical anxiety too it has always been understood in this sense. When Dasein “understands” uncanniness in the everyday manner, it does so by turning away from it in falling; in this turning-away, the “not-at-home” gets 'dimmed down'. Yet the everydayness of this fleeing shows phenomenally that anxiety, as a basic state-of-mind, belongs to Dasein's essential state of Being-in-the-world, which, as one that is existential, is never present-at-hand but is itself always in a mode of factical Being-there – that is, in the mode of a state-of-mind. That kind of Being-in-the-world which is tranquillized and familiar is a mode of Dasein's uncanniness, not the reverse. From an existential-ontological point of view, the “not-at-home”must be conceived as the more primordial phenomenon.
(Translation by John Macquarrie and Edward Robinson)
Related themes
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a e-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.
- Nationality: NETHERLANDS
- Date of birth : 1963
- Artistic domains:
- Groups: Contemporary Dutch Artists
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