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Possibilities of Being in Fearing (BT142) (2024) Painting by Noël Van Hoof
Seller Noël Van Hoof
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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Usage: Web Licence
1243 px | ||
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1500 px |
Dimensions of the file (px) | 1243x1500 |
Use worldwide | Yes |
Use on multi- | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
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- Watercolor on Cardboard
- Dimensions 19.7x15.8 in
Dimensions of the work alone, without framing: Height 14.2in, Width 11.8in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Male Nudes
There can be variations in the constitutive items of the full phenomenon of fear. Accordingly, different possibilities of being emerge in fearing. Bringing-close close by, belongs to the structure of the threatening as encounterable. If something threatening breaks in suddenly upon concernful Being-in-the-world (something threatening in its 'not right away, but any moment') fear becomes alarm [Erschrecken]. So, in what is threatening we must distinguish between the closest way in which it brings itself close, and the manner in which this bringing-close gets encountered – its suddenness. That in the face of which we are alarmed is proximally something well known and familiar. But if, on the other hand, that which threatens has the character of something altogether unfamiliar, the fear becomes dread [Grauen]. And where that which threatens is laden with dread, and is at the same time encountered with the suddenness of the alarming, then fear becomes terror [Entsetzen]. There are further variations of fear, which we know as timidity, shyness, misgiving, becoming startled. All modifications of fear, as possibilities of having a state-of-mind, point to the fact that Dasein as Being-in-the-world is 'fearful' [“furchtsam”]. This 'fearfulness' is not to be understood in an ontical sense as some factical 'individualized' disposition, but as an existential possibility of the essential state-of-mind of Dasein in general, though of course it is not the only one.
Translation by John Macquarrie and Edward Robinson)
Related themes
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a e-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.
- Nationality: NETHERLANDS
- Date of birth : 1963
- Artistic domains:
- Groups: Contemporary Dutch Artists
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