Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
Existing in one's Nullity (BT329/330) (2025) Painting by Noël Van Hoof
Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
Seller Noël Van Hoof
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1253 px | ||
 |
1500 px |
| Dimensions of the file (px) | 1253x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
immediately upon purchase
This image is available for with a licence: you can them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please us for a custom licence. Art image bank
- Watercolor on Cardboard
- Dimensions 19.7x15.8 in
Dimensions of the work alone, without framing: Height 14.2in, Width 11.8in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Male Nudes
Care is Being-towards-death. We have defined “anticipatory resoluteness” as authentic Being towards the possibility which we have characterized as Dasein's utter impossibility. In such being-towards-its-end, Dasein exists in a way which is authentically whole as that entity which it can be when 'thrown into death'. This entity does not have an end at which it just stops, but it exists finitely. The authentic future is temporalized primarily by that temporality which makes up the meaning of anticipatory resoluteness; it thus reveals itself as finite. But 'does not time go on' in spite of my own no-longer-Dasein? And can there not be an unlimited number of things which still lie 'in the future' and come along out of it?
We must answer these questions affirmatively. In spite of this, they do not contain any objections to the finitude of primordial temporality – because this is something which is no longer handled by these at all. The question is not about everything that still can happen 'in a time that goes on', or about what kind of letting-come-towards-oneself we can encounter 'out of this time', but about how “coming-towards-oneself” is, as such, to be primordially defined. Its finitude does not amount primarily to a stopping, but is a characteristic of temporalization itself. The primordial and authentic future is the “towards-oneself” (to oneself!), existing as the possibility of nullity, the possibility which is not to be outstripped. The ecstatical character of the primordial future lies precisely in the fact that the future closes one's potentiality-for-Being; that is to say, the future itself is closed to one, and as such it makes possible the resolute existentiell understanding of nullity. Primordial and authentic coming-towards-oneself is the meaning of existing in one's ownmost nullity. In our thesis that temporality is primordially finite, we are not disputing that 'time goes on'; we are simply holding fast to the phenomenal character of primordial temporality – a character which shows itself in what is projected in Dasein's primordial existential projecting.
(Translation by John Macquarrie and Edward Robinson)
Related themes
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a e-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.
- Nationality: NETHERLANDS
- Date of birth : 1963
- Artistic domains:
- Groups: Contemporary Dutch Artists
See more from Noël Van Hoof
Explore the history of art through AI
Visually similar works of art history
