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welded landscapes (paysages soudés) 3 (2020) Photography by Nicolas Lespagnol

Photography, 27.6x41.3 in
$2,126
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This artwork appears in 1 collections
  • Digital Photography on Paper
  • Number of copies available 1
  • Dimensions Height 27.6in, Width 41.3in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Nature
La série de "paysages soudés " comportent une quarantaine d'images et est visible sur mon site nicolaslespagnol(dot)com. Impression de vitrail ou de rétro éclairage. Un tronc marron e au bleu, qu'importe, il suffit de cligner de l’œil pour que la couleur change. Je garde les 4 photographies du réel intactes mais leurs jonctions modifient la vision [...]
La série de "paysages soudés " comportent une quarantaine d'images et est visible sur mon site nicolaslespagnol(dot)com
Impression de vitrail ou de rétro éclairage. Un tronc marron e au bleu , qu'importe , il suffit de cligner de l’œil pour que la couleur change. Je garde les 4 photographies du réel intactes mais leurs jonctions modifient la vision et aboutit à une autre espace abstrait.. L’œil embrasse tout à la fois ou ne peut se fixer sur une seule image sans s'arrêter de penser et d'élargir son regard. Il y a comme un apprentissage nouveau. l'espace devient abstrait car il ne fait pas parti de la panoplie d'image de notre cerveau.

Le tirage peut être réalisé en plus grande taille avec un autre fichier numérique en la possession de l'auteur

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Paysage

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Nicolas LEspagne is a photographer whose artistic work is deeply influenced by abstraction and abstract expressionism in painting. For him, photography offers a unique way to explore the emotions and concepts [...]

Nicolas LEspagne is a photographer whose artistic work is deeply influenced by abstraction and abstract expressionism in painting. For him, photography offers a unique way to explore the emotions and concepts related to these artistic movements while capturing the real world around him.

His photographic series, notably the one entitled "Welded Landscapes", bear witness to his quest to strip reality of its perceived reality, while preserving its integrity. This paradoxical process involves eliminating elements such as time, narrative, depth and sensory impressions in order to retain only form. The end result of these experiments can sometimes seem abstract, creating a link between photography and abstract painting.

Nicolas attaches great importance to maintaining photography's ability to convey the reality of the medium. He refuses to complicate the image to the point of transforming it into painting or mixed media. Instead, he opts for normal subjects, simple shots, and compositions that are accessible to the viewer. The goal is to allow the audience to feel connected to the image, as if they had taken the photograph themselves.

Another important feature of his approach is the elimination of time. Nicolas believes that capturing a precise moment, although it can reveal an essential detail, often excludes the moment before and the moment after. He prefers to create images that suggest permanence, thereby eliminating duration. This approach aims to bring together the moments before and after the captured moment, creating a photographic experience that transcends time and captures the timeless essence of reality.

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