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Raffinerie d'Anvers (2025) Photography by Maxime Follin
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J’ai opté pour une prise de vue au 50 mm en plein format, afin de conserver une distance constante et fidèle à ma perception. Le noir et blanc s’est imposé naturellement pour souligner les contrastes, la rigueur des formes et l’atmosphère du lieu.
L’image repose sur un équilibre entre plusieurs éléments : la voiture au premier plan, les blocs disposés au sol, les verticales des cheminées. Ce moment n’était pas prévu, mais l’alignement des formes s’est présenté de lui-même, ce qui donne à la scène une certaine cohérence graphique. Cette photographie s’inscrit dans une série plus large autour des paysages industriels et de la place de l’humain dans ces espaces.
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Emerging photographer Maxime Follin develops a practice centered on the observation of industrial sites and deserted spaces. After an initial path in the merchant navy at the Antwerp Maritime Academy, he turned to photography as a parallel means of exploring reality and shaping perception. He works exclusively with a full-frame 50mm fixed lens to maintain a constant distance and stay true to his own vision. His focus lies on lines, forms, materials, light, and verticality (Kairos). Printing is a vital step in his process: each photograph is personally printed on textured matte fine art paper, with the intention of giving the image a physical, tactile, and lasting presence. His practice follows a slow and rigorous approach, born of long photographic walks—an errant method where each decision, from composition to print, is made to faithfully render textures as samples of the real.
- Nationality:
- Date of birth : 2002
- Artistic domains:
- Groups: Contemporary French Artists
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