Portrait de Jean-Jacques Rousseau (1753) Drawing by Maurice Quentin De La Tour
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It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine printsDans ce portrait, Rousseau est représenté avec un regard intense et pénétrant, qui semble capter l'esprit profond et souvent tourmenté de l'homme. Son expression est sérieuse, reflétant peut-être la gravité de ses réflexions philosophiques et son engagement ionné envers les idées de liberté et d'égalité. La subtilité du sourire esquissé laisse entrevoir une nuance d'humanité et d'accessibilité, suggérant la sensibilité de Rousseau et sa profonde connexion émotionnelle avec le monde qui l'entoure.
Rousseau est vêtu simplement, en contraste avec les portraits plus somptueux et ornés de l'époque, ce qui pourrait refléter son plaidoyer pour le retour à la nature et son mépris pour les artifices de la société civile. La simplicité de sa tenue, une veste marron sur une chemise blanche, met en évidence sa personnalité et ses idées plutôt que son statut ou sa richesse.
La technique de La Tour, caractérisée par l'utilisation subtile de la lumière et des ombres, ainsi que par la finesse des détails dans le visage et les vêtements, donne une impression de vivacité et de présence. Le fond sombre met en avant le sujet, focalisant l'attention du spectateur sur l'expression et les traits caractéristiques de Rousseau.
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Maurice Quentin de La Tour is a French portrait painter in the Rococo style. He was born on September 5, 1704 and died on February 17, 1788. Among his most famous subjects were Voltaire, Rousseau, Louis XV and Madame de Pompadour. In 1737, at the Paris Salon, de La Tour presented portraits of Madame Boucher , wife of the painter François Boucher, and the Author who laughs (Louvre museum), first in a series of 150 portraits which will be one of the highlights of the Paris Salon for the following 36 years . But the painter Joseph Ducreux said he was his only student (although this is unlikely). On May 25, 1737, the Royal Academy of Painting and Sculpture granted de La Tour official recognition as a painter. Shortly after, the French court became interested in his work. Jeffares indicates that in 1745, he had an apartment in the Palais du Louvre. By the end of the 1760s, he no longer painted portraits of the royal family. People have often thought that the figures in De La Tour's portraits had a unique charm and intelligence, and that his delicate but sure touch with pastels gave their faces a pleasant softness.
La Tour's commissions bring in more and more money and their generosity increases. He created a drawing school in his hometown of Saint-Quentin and gave money to poor women in prison, disabled artists and elderly artists. He also helped the Royal Academy of Painting and Sculpture in Paris and the Academy of Sciences and Belles Lettres in Amiens by giving them advice and money. Finally, a mental illness forces him to stay at home and seek treatment from his brother Jean-François. He retired at the age of 80 to Saint-Quentin, where he died without a will at the age of 83. (he had revoked previous wills). Jean-François, who died in 1807 and was a knight of the royal military order of Saint-Louis, is the natural heir to his estate.
- Nationality:
- Date of birth : 1704
- Artistic domains: Represented by a Gallery,
- Groups: Artists presented by a gallery
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