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SHADOWS AND LIGHT (2024) Painting by Marco Scaramuzza

Stained glass painting on Glass, 26.8x19.7 in
$3,149.24
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
Mounted on Wood
This artwork appears in 2 collections
  • Engraving on Glass
  • Dimensions 30.7x23.6 in
    Dimensions of the work alone, without framing: Height 26.8in, Width 19.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Graffiti
SHADOWS AND LIGHT. Quest’opera fa parte della mia “Serie Graffito”. Il mio percorso di artista e maestro del vetro mi ha portato ad abbinare il vetro di Murano, con i suoi meravigliosi colori, alla preziosa foglia d’argento che uniti diventano la mia tela sulla quale dipingere. Il Graffito, antica arte che ho rivisitato in una chiave più moderna ed [...]
SHADOWS AND LIGHT
Quest’opera fa parte della mia “Serie Graffito”. Il mio percorso di artista e maestro del vetro mi ha portato ad abbinare il vetro di Murano, con i suoi meravigliosi colori, alla preziosa foglia d’argento che uniti diventano la mia tela sulla quale dipingere. Il Graffito, antica arte che ho rivisitato in una chiave più moderna ed i colori da pittura sono il mio modo per realizzare i quadri rappresentati.
Per “Shadows and Light” mi sono lasciato ispirare dall’omonimo disco di Joni Mitchell a cui sono molto legato. Riuscire a ricreare il senso dell'ombra che si mescola alla luce dettagliando gli spazi. Un segno forte, scuro, che si ammorbidisce giocando con i colori fino ad illuminarsi.
Materiale
Lastra di vetro di Murano, foglia d’argento (puro argento 1000/00), colori da alta temperatura, pannello di legno verniciato accoppiato al vetro e cornice in legno nera.
Tecnica
La base di quest'opera è una lastra di vetro nero e foglie d'argento sulla quale ho inciso con una fine punta d’acciaio e dipinto con colori da alta temperatura il mio disegno. Preparo con la tecnica del vetro a lume delle finissime filigrane mescolando vari colori di vetro, che diventano completamento dell’opera e vengono poste sopra una lastra di vetro cristallo che racchiude il quadro dandone brillantezza ed evitando l'ossidazione dell'argento. Il quadro è pronto e lo metto in forno dove raggiunge la temperatura di fusione a 1450 gradi Fahrenheit e molto lentamente si raffredda per un ciclo di 20 ore circa. Finalmente ho in mano il vetro pronto per essere rifinito tramite il processo di molatura a freddo. L’opera così finita viene accoppiata ad un pannello di legno e per ultimo incorniciata. Firmata mediante incisione sul fronte ed allegato il certificato di autenticità.

Related themes

Vetro A Lume

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. Marco Scaramuzza is a contemporary Italian artist. A versatile artist and master glassmaker, he combines a love for Murano glass with his background as a painter. Born in the beautiful city of Venice, from a [...]


Marco Scaramuzza is a contemporary Italian artist. A versatile artist and master glassmaker, he combines a love for Murano glass with his background as a painter. Born in the beautiful city of Venice, from a young age he followed his father's great ion for Murano glass, falling in love with this precious material tied to the traditions of his land. After his studies, he began collaborating with some of the most representative glass companies in contemporary Murano glass design, historic brands such as VeArt and Vistosi. Focusing his interest on the technical aspects of glassworking and decoration, on research, design, and the study of this material, he started deg and creating furniture and lighting objects for national and international companies. In 2002, he was given the prestigious assignment by the European Community and the Ministry of Equal Opportunities to coordinate courses in Venice aimed at promoting female employment and the development of artisanal glass workshops for this purpose. In 2003, he finally started his own artistic workshop. Besides painting, he uses the techniques of glass fusion, lampworking, and engraving, enriching many of his works with precious silver leaves that, coupled with colored glass sheets, become the canvas on which he draws and paints. The engraving combined with other artistic glass techniques allows him to freely express his creativity and imagination in the paintings, objects, and sculptures that make up his collections. His research involves and excites him, stimulating him to find new forms of artistic expression in original and unique works. His works have participated in various international events and exhibitions and are present in showrooms in many Italian and foreign cities. Each piece evokes the soul and spirit of the material, captivating the viewer with its brilliance and infinite reflections

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