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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1050 px | ||
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1500 px |
| Dimensions of the file (px) | 1050x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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- Acrylic on Canvas
- Dimensions Height 39.4in, Width 27.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Science fiction
The expressive brushwork in the background, with its chaotic blend of blacks, whites, and greys, echoes the confusion and rapid pace of societal evolution. The human half of the figure begins to dissolve into abstraction, while the robot emerges, fully formed and seemingly indifferent.
Thematically, this painting speaks to the philosophical question of what is lost—and what is gained—when machines inherit our place. The title, both thankful and final, serves as a eulogy to the human era: “With Gratitude and Grease: Goodbye.”
Style & Technique:
Executed in bold, textural acrylics, the painting leans into Expressionism and Futurism, with stylistic echoes of artists like Egon Schiele in the anatomical emphasis and raw emotion, and Franz Marc or Umberto Boccioni in the dynamism and abstraction of form. The contrast of warm, living tones with stark mechanical greys heightens the emotional divide.
Related themes
I've been drawing all my life, primarily using pencil. In 2019, I began experimenting with digital art, and in 2020, after moving to Rome, I started working with acrylic and oil paints.
My paintings are a direct reflection of my mood, expressing the emotions and thoughts I experience while creating. Through my art, I aim to engage the viewer, encouraging them to form their own unique interpretation, connecting abstract forms to their personal feelings, memories, and thoughts. This is why most of my works are abstract or semi-abstract—allowing each person to shape the image into something meaningful to them.
- Nationality: ITALY
- Date of birth : 1980
- Artistic domains:
- Groups: Contemporary Italian Artists
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