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1 WOMAN RAL-7036 ON GLASS WITHOUT PODIUM - COLOR CONCRETE (2024) Sculpture by Maas Tiir

Sculpture - Concrete, 6.3x3.9 in
$298.88
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Shipping from: Russia (Box or cardboard packaging) Ships within 1 week - Additional delays may apply due to the current situation in the country
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One of a kind
Certificate of Authenticity included
  • Concrete on Other substrate
  • Dimensions Height 6.3in, Width 3.9in / 0.80 kg
  • Artwork's condition The artwork is in good condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Nude
1 WOMAN RAL-7036 ON GLASS WITHOUT PODIUM - COLOR CONCRETE. When buying two figurines the third one is free. About this artwork: Classification, Techniques & Styles. Concrete. Sculpture technique using an artificial material made of pebbles, gravel and sand, ed usually together by a hydraulic binder. Technic Sculpture. Sculpture is an artistic activity [...]
1 WOMAN RAL-7036 ON GLASS WITHOUT PODIUM - COLOR CONCRETE. When buying two figurines the third one is free.

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Sergey Abrosimov, alias Maas Tiir, is a contemporary Russian artist. He is a professional architect, the winner of architectural and architectural-monumental competitions, with projects for many buildings, multifunctional [...]

Sergey Abrosimov, alias Maas Tiir, is a contemporary Russian artist. He is a professional architect, the winner of architectural and architectural-monumental competitions, with projects for many buildings, multifunctional complexes, urban environment design, landscape and interiors, with the goal of achieving harmony between architecture, design and internal state.

Currently, he is looking for new forms of self-expression in the world of contemporary art. Abrosimov's works are rich in inner content, meaningful, and reflect universal ideals and ideas in the shape of deep, creative, symbolic, and ambiguous imagery; each individual finds a reflection of his or her own thoughts and feelings in them, and they encourage deep personal reflections.

Sergey Abrosimov was born in 1957, in Russia.    


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