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Interfatum Diptych (2023) Sculpture by Krzysztof Plonka

Sculpture - Bronze, 27.6x23.6 in
$20,836
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Artwork signed by the artist
Certificate of Authenticity included
Fit for outdoor
This artwork appears in 1 collections
  • Bronze on Metal
  • Number of copies available 2
  • Dimensions Height 27.6in, Width 23.6in / 90.00 kg
  • Fit for outdoor? Yes, This artwork can be displayed outdoor
  • Categories Female nudes
Bronze sculpture "Interfatum" numbered signed. Made of bronze and having a height of 70 cm, two separate parts that can be separated and each can constitute a separate sculpture of 70 cm. Two connected busts, directed at each other, manifest intimacy and emotional intensity, recalling archetypal interpersonal bonds. This visual narrative reflects the [...]
Bronze sculpture "Interfatum" numbered signed
Made of bronze and having a height of 70 cm, two separate parts that can be separated and each can constitute a separate sculpture of 70 cm.

Two connected busts, directed at each other, manifest intimacy and emotional intensity, recalling archetypal interpersonal bonds. This visual narrative reflects the spiritual union of two souls who, in their journey through incarnations, seek each other. "Interfatum" thus becomes a meditation on the cycle of life, reincarnation and the search for closeness in a multidimensional reality.

The form of the sculpture is refined, yet modern, fully reflecting the spirit of contemporary art. The artist, with masterful precision, refers to classical canons, while introducing innovative interpretative elements. Smooth lines, harmoniously curved contours and carefully sculpted details co-create a dynamic dialogue between the figures, which gives the work a sense of movement and life.

"Interfatum" not only attracts attention, but also provokes deeper reflection on the nature of love, bonds and the search for meaning in the constant cycle of existence. This sculpture, as a monument to spiritual unity, invites the viewer to personal interpretation and emotional involvement, which makes it a fundamental point of reference in the context of contemporary sculptural art.

"Interfatum (diptych)" - the sculpture is a work from 2024 and is characterized by dimensions of 60x70 cm. The author is Krzysztof Płonka.

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Metal

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Krzysztof Plonka is a sculptor, painter and versatile multimedia artist. In addition to creating monumental, sophisticated bronze monoliths, he has been engaged in creating cinematic art, games and music videos [...]

Krzysztof Plonka is a sculptor, painter and versatile multimedia artist .

In addition to creating monumental, sophisticated bronze monoliths, he has been engaged in creating cinematic art, games and music videos for years. 

By combining a variety of means of expression, he composes precise and avant-garde works on the border of art, film and new media. He collaborated on special effects for productions such as "Avatar II", "Get Even", "The Witcher" and "Medium". His diverse work goes beyond the film industry, also encoming painting and sculpture, immersed in the current of surrealism.

He draws inspiration from the artistic heritage of surrealist masters such as H.R. Giger and Zdzisław Beksiński, creating a futuristic fusion from it. He consistently crosses the boundaries of established conventions, mixing incompatible s. He creates hybrid objects, performances and installations that question established modes of perception. He materializes visions that elude rational conceptualization, provoking new, refined aesthetic experiences.

Encountering the work of this artist, the viewer experiences a variety of emotions - from anxiety and disorientation to spiritual and transcendental experiences. His works emanate a sense of encountering art from another planet, forcing the viewer to abandon established categories and conventions. Rejecting mimetic representations, he confronts the viewer with a construct of seemingly contradictory elements, generating an effect of destabilizing fascination. In this way, he develops an idiom of unstable reality, based on discontinuous, dynamic configurations. His practice constantly challenges established taxonomies, dismantling the boundaries between creative disciplines.

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