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Trinité (2023) Sculpture by Kaouteur Souibgui

Sculpture - Bone, 10.2x3.2 in
$932.89
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Fit for outdoor
  • Bone on Other substrate
  • Dimensions Height 10.2in, Width 3.2in / 0.30 kg
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Fit for outdoor? Yes, This artwork can be displayed outdoor
  • Categories Abstract
La première création intitulée Trinité est un clin d'œil au mystère de la Sainte Trinité. Le Père, le Fils et le Saint –Esprit se cachent derrière des yeux qui brillent mais qui les voit briller? J’ai utilisé le noir car il est lié aux ténèbres, au deuil, au caractère lugubre de la mort. Je reste donc reste dans une interprétation classique de la « [...]
La première création intitulée Trinité est un clin d'œil au mystère de la Sainte Trinité. Le Père, le Fils et le Saint –Esprit se cachent derrière des yeux qui brillent mais qui les voit briller ? J’ai utilisé le noir car il est lié aux ténèbres, au deuil, au caractère lugubre de la mort. Je reste donc reste dans une interprétation classique de la « couleur » (relevant de la culture française) mais au bout du compte, la mort n’a pas de couleur pour moi … Mon œuvre propose une réflexion sur la place accordée à la religion (cette notion est ici à considérer comme recouvrant plusieurs réalités) dans notre société occidentale. Les bois sons volontairement dirigés vers le bas. Il faut aussi y voir une allusion au « désenchantement du monde » de Weber. Il n’y a peut-être presque plus de place pour la religion mais son attachement survit puisqu’il se confine dans les replis de la vie privée. Cet attachement est symbolisé par des chaînes séparées d’elles-mêmes tout en étant quand même reliées entre elles. Elles fonctionnent avec 2 niveaux de lecture ; elles rappellent le besoin de se rattacher à quelque chose d’une part, de l’autre, elles sous-entendent que nous sommes liés à la mort, qu’on le veuille ou non. Mais à quoi croyons-nous encore et une fois effacés de ce monde, qu’est-ce qui nous attend? La question reste ouverte. À un degré plus poussé, Trinité interroge sur l’au-delà. Serait-il un monde proche du nôtre ou une sorte d’absolu indicible ? Ses habitants auraient- ils encore un corps ou ne seraient-ils que de purs esprits ?

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Kaouteur Souibgui is a contemporary artist based in . The artist embarks on a journey of transcending reality, asserting that the richness of imagination far sures the limitations of the tangible world. [...]

Kaouteur Souibgui is a contemporary artist based in . The artist embarks on a journey of transcending reality, asserting that the richness of imagination far sures the limitations of the tangible world. In alignment with the sentiments of the revered Charles Baudelaire, Souibgui embraces the idea that nature is inherently flawed, finding greater allure in the fantastical creations of the mind. As Baudelaire expressed, "Nature is ugly, and I prefer the monsters of my fantasy to positive triviality." This perspective serves as a guiding principle for Souibgui, inspiring a departure from conventional representations in favor of exploring the boundless possibilities of the imagination.

Whether working on the canvas or through the medium of collage, Souibgui seeks to redefine the very essence of aesthetics. In this pursuit, the artist employs techniques of their own invention, pushing the boundaries of traditional artistic norms. The result is a body of work that transcends conventional notions of beauty and challenges viewers to engage with a more expansive and unconventional visual language.

Additionally, Kaouteur Souibgui is an active member of the collective "Destructuralism Figurative." This collaborative endeavor further emphasizes Souibgui's commitment to exploring innovative and transformative approaches to art, contributing to a collective movement that seeks to deconstruct and reconstruct traditional forms and meanings.

Kaouteur Souibgui's artistic journey is one marked by a fearless exploration of the fantastical and an unyielding commitment to pushing the boundaries of artistic expression. Through self-invented techniques and a dedication to transcending the ordinary, Souibgui invites audiences to reconsider the very nature of aesthetics, engaging with a visual language that emerges from the depths of imagination and defies the constraints of the commonplace.

See more from Kaouteur Souibgui

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