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Prisoner (2018) Painting by Jagath Wickramarachchi

Oil on Canvas, 19.7x19.7 in
$1,203.92
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Fine art paper, 8x8 in

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Mounted on Wood
  • Oil on Canvas
  • Dimensions Height 19.7in, Width 19.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Politics
Some see a prisoner, some people see a human. I see a prisoner in all of us. Let me explain my vision. If every prisoner see through the key hole of his prison, he will see there are only two locks which made the door close. They are called, the law and religion. There are nothing more than that. Now let me ask you a question, aren't we all prisoners [...]
Some see a prisoner, some people see a human. I see a prisoner in all of us.
Let me explain my vision.
If every prisoner see through the key hole of his prison, he will see there are only two locks which made the door close. They are called, the law and religion. There are nothing more than that.
Now let me ask you a question, aren't we all prisoners of those two locks?

As Aristotle said, "At his best, man is the noblest of all animals; seperated law and justice, he is the worst".

Related themes

Religion

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[English]. As a painter of intermittent dedication, situated amidst the cultural expanse of Paris, my sensibilities have long been attuned to the nuances of artistic expression. Within the realm of my creative [...]

[English]

As a painter of intermittent dedication, situated amidst the cultural expanse of Paris, my sensibilities have long been attuned to the nuances of artistic expression. Within the realm of my creative pursuits, I am both an avid writer and a skilled draftsman. Yet, it was in 2017 that I resolved to relinquish the comfort of my sketchbooks and embark upon the challenging journey of canvas painting.

Following the genesis of my initial works, I committed myself to a two-year course of artistic tutelage in Paris, wherein I honed my craft across a spectrum of mediums, from the luminous depths of acrylics to the subtleties of charcoal, pastel, and ink.

My artistic ethos is centered upon the quest to imbue each creation with profound meaning and resonant depth, transcending the mere confines of visual representation.

Embedded within my creations, one discerns not only my reverence for texture and form but also the interplay of my dual heritage, influenced by the rich tapestries of Sri Lanka and the artistic legacies of .

The stroke of a brush is not merely a stroke of color, form, and direction; it is, above all, an expression and revelation of unspoken emotional depths, with all their complex delicacy.

It is with a humble sense of gratitude that I reflect upon the privilege of having my oeuvre grace the halls of UNESCO during the observance of the International Day of Vesak in 2018.

[Français]

Artiste peintre par intermittence, installé à Paris, j'ai toujours eu une forte sensibilité aux travaux artistiques. J'écris beaucoup et je dessine. C'est en 2017 que je délaisse mes carnets et mes gribouillis et me décide de me lancer dans la peinture sur toile.

Après avoir peint mes premières peintures, j'ai décidé de suivre des cours d'éducation artistique durant 2 ans à Paris, où j'ai acquis des techniques précieuses concernant la peinture acrylique, le charbon, le pastel et l'encre. 

J'essaie de produire des œuvres empreintes de sens et de profondeur. 

Vous trouverez dans mes créations mon goût du relief et des formes, mais également mes influences sri lankaises et française. 

Le coût de pinceau n'est pas seulement un trait de couleur, de forme et de direction mais surtout une expression et une révélation des abysses sentimentales inexprimées, avec tout leur relief, leur délicatesse et leur complexité. 

Certaines de mes œuvres ont pu être exposées à l'UNESCO durant la journée internationale du Vesak en 2018. 

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