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“How the other has conquered the husband of she” (2022) Painting by Giò Pasta

Oil on Canvas, 38.4x47.6 in
$8,207.6
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Fine art paper, 8x10 in
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Pigments on Canvas
  • Dimensions Height 38.4in, Width 47.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Video Game
“How the other has conquered the husband Of she” - oil on canvas technique 97.5x121x3 cm 2022. Metaphor is the game of roles: “how He conquered Her husband”. Art is “interactive” by nature: the representation, in fact, is based on a distance between the work and the spectator that is revealed at the very moment in which the latter enjoys the work. [...]
“How the other has conquered the husband Of she” - oil on canvas technique 97.5x121x3 cm 2022
Metaphor is the game of roles: “how He conquered Her husband”.
Art is “interactive” by nature: the representation, in fact, is based on a distance between the work and the spectator that is revealed at the very moment in which the latter enjoys the work.

In the Metaverse it happens that the intentions in the immersion of the reader or the spectator, in the world of fiction, are encouraged to transgress, that is to go beyond: the other, who has entered the couple, lending himself to the game to conquer Her, with the complicity of the husband; paradoxically feels more stimuli to act towards the husband. She becomes like an empty shell, useless precisely in the moment in which she is in the act of giving herself.

The person who is intent on trying to succeed in spontaneously obtaining that type of pleasure that he cannot obtain. So he mentally and voluntarily tries to feel pleasure but the more he searches the less he finds. The advantages that can be drawn from this experience are virtual relationships based on relationships that are not conditioned by any type of materialistic and austere judgment, as in the outside world. As by analogy in this work the “intertwining” of bodies is a relationship and creates relationships: it establishes relationships between artist, work and spectator. The strong tones of the background pigments are to represent the tension of the scene, mediated by an imaginative and surreal dimension

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I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located in the [...]

I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located in the heart of that vibrant, free and nonconformist Milan of those years, sharing art with many artists who frequented the favorite for many of them: a golden decade of art, music, fashion, design and a great will to live. In 1975 the first personal exhibition, "Tratti & Ritratti", Galleria Guelfa, Florence. In 1977 in Rome. I attended the Academy of Dramatic Art "P. Sharoff". The meeting with the famous F. Vigo gallery owner immediately established a good feeling and so he exhibited in his "Numero" gallery in Rome, a point of reference for relations between internationally renowned artists and intellectuals. In 1981 I returned definitively to Milan, from here I resumed my initial path. In 1991 I was fully accepted as an Academician at the Academy of Fine Arts in Fano. In the years to come, with multimedia events and installations, my painting maintained the figurative style between the visionary and the fantastic, continuing the transit towards the latitude of the dream leads me to express, through journeys of the psyche, the metaphors of the life of the my mental imagery.

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