Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
Evangélisation et totem (2). (2024) Painting by Françoise Niel Aubin
Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
More info
- Packaging (Box or cardboard packaging) All artworks are shipped with a carrier, carefully protected and insured.
- Tracking Order tracking until the parcel is delivered to the buyer. A tracking number will be provided so that you can follow the parcel in real-time.
- Delay Worldwide delivery in 3 to 7 days (Estimate)
- Customs not included The price does not include customs fees. Most countries have no import tax for original artworks, but you may have to pay the reduced VAT. Customs fees (if any) are to be calculated on arrival by the customs office and will be billed separately by the carrier.
More info
- Trackable Online Certificate of Authenticity Authenticity Certificates can be verified online at any moment by scanning the artwork code.
- Artist Value Certification Experts study the work and career of an artist then establish an independent and reliable average price value. The average price value situates the artist on a price range for a given period. The experts may also be asked to establish a more precise estimate for a particular work.
More info
100% secure payment with SSL certificate + 3D Secure.
More info
Purchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1125 px | ||
 |
1500 px |
| Dimensions of the file (px) | 1125x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
immediately upon purchase
This image is available for with a licence: you can them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please us for a custom licence. Art image bank
L’idée m’était venue il y a bien longtemps, alors que je regardais un reportage sur internet, sur le Canada, et la situation des indigènes, là bas, à qui à l’époque de la colonisation, les pires humiliations, et sévices psychologiques, furent perpétrés, comme aux USA, pays voisin…
L’image montrait une scène de sous bois, avec le journaliste qui discutait, avec un descendant de ces indiens.
Ce qui m’avait interpellé, c’était que ce que je voyais à l’image, eux, visiblement, ne l’avaient pas remarqué.
BREF….
On voyait au sol, une pièce de bois, tombée, ET sculptée…. Elle était recouverte de mousses.
Sachant que d’autre part, quand les différents pays colonisateurs, dont la , arrivèrent, pour coloniser le Canada, ils avaient pris soin, comme ça se pratiquait dans n’importe quel processus de colonisation, de faire entrer dans la pratique, le processus d’évangélisation, imposant le culte, chrétien, au détriment des religions pratiquées sur place, par les indiens.
M’etait alors venu à l’esprit, d’en faire un triptyque, qui est l’embryon de la BD d’aujourd’hui, qui se définit comme suit.
Sur la première planche, (dans le sens de la lecture, donc, à gauche), on voit la croix du Christ, traditionnelle.
Puis, le temps fait son office.
Les clous, qui tiennent la partie horizontale, rouillent, et cette partie tombe, c’est ce que montre, dans la partie centrale du triptyque.
Enfin, à droite, le temps à continué de faire son office, et la partie verticale, elle seule, demeure, et est redevenue, ce qu’on appelle, « un totem », sculpté, peint et décoré, avant que les chrétiens, ne soient venus tentés de supplanter leurs cultes originels…
Ainsi, la boucle est bouclée.
Je remercie, la mairie des Authieux port saint Ouen, pour m’avoir permise pour la première fois, d’exposer ce triptyque, à l’automne 2024.
Related themes
It is possible, in the eyes of some people, that this quote, of which I am quite proud, might seem somewhat inappropriate...
But it is not so...
Indeed, who, one day, only wondered whether the manufacturers of brushes, made of marten hair, had received the written consent of the marten in question?
Okay, we don’t find them much to buy anymore, and who would argue?
But for the "small gray" essential for watercolor and inks, you really asked yourself, like me one day, the question?
What would be the Japanese calligraphy if, one day, the union of the "little grey" came to ask them for s, and worse, rights, of authors, for taking, of hair, imposed?
Thus, as you can see, in reality, observing, on the other hand, that there is no subject, of which the artists, would deprive themselves, EVERYTHING IS INDEED HAIR AND ETHICS.
- Nationality:
- Date of birth : 1961
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
Explore the history of art through AI
Visually similar works of art history
