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OIL/CANVAS
DAGS VIDULEJS Ⓒ Dags
L'éducation et l'esprit de liberté de la société française ont toujours été l'espoir de la société mondiale. Le tableau est dédié aux étudiants français qui, tout au long de l’année 2020-2022, n’ont eu peur ni des punitions ni des bâtons et ont défendu leurs droits humains. Cela a mis en lumière la vérité sur les politiciens corrompus. Qui, soudoyés par les grandes sociétés financières, étaient prêts à introduire des couvre-feux et des confinements, paralysant ainsi la nation comme dans les années 1940-1945. Les manifestations et grèves françaises ne l'ont pas permis et ont mis en lumière la fausse plandémie et ont sauvé la société. Même si la presse européenne n'a pas couvert les événements de Paris, des gens courageux sont également allés de Lettonie en , couvrant les combats de rue de manière arbitraire sur les réseaux sociaux. Un tableau dédié à ces aigles français héroïques. Ce n’est pas RED BULL qui lève les ailes, mais les idéaux de la révolution éternelle française. A l’heure où les gouvernements corrompus se noient sous les mensonges et se dirigent vers le barrage !!!
DAG ART
The Mirror of Civilization is depicted in the Dags Vidulejs large-format series. Pointing out different national cultural religions gives an overview of civilization. Not as a globalized cloned homogeneous mass.
Variously structured crowds. The confrontation of different social groups shows the paradox of urbanization. In parallel, there are various completely incompatible subcultures in the urban environment. They have dissolved in each other in nature and can only be seen in the artist's vision.
Not to lose the value of academic drawing and painting. Large shapes can be made easier with virtuosity in line drawing. Regularly drawing romanticized ethereal, airy ballerinas. The chamber works emphasize the central context of the chosen person's visual image in the author's work. Variations in anthropomorphic images turn the work invested into the meaning of a social message. Therefore, large compositions become socially active.
To form the structures of society not as in nature, but in a subjective, crystallized vision. To direct the typified groups that unite groups of people. The triptych presents problems of antagonism and clashes between social classes.
In order for the viewer to guess the encoded message, Vidulej uses antropomorphic forms that are recognizable to everyone in the composition.
Dag's works of art come to life in an expanded field. Not for interior decoration, not perceptible when inserted into a scraper, like a carpet. Demand for large public spaces, museums. Needs the viewer's education, participation.
Dags Vidulejs is a contemporary Latvian artist. His main goal is to use catharsis to engage the audience in conversation. In contrast to seeking to provoke the viewer's thought by contrasting many levels of symbolically structured subcultures in the shape of a triptych, Vidulejs' artistic approach is a counterbalance, dividing reality into nature, culture, the urban environment, and virtual reality.
His education and the changes in his trajectory brought on by the places and people he has visited are the main stages in the artist's work. The primary goal of intellectual creativity is to advocate for socially marginalized groups by using the language of the arts. His paintings can be found in private collections in China, Austria, , Denmark, Latvia, Estonia, and Russia.
- Nationality: LATVIA
- Date of birth : 1961
- Artistic domains: Works by professional artists,
- Groups: Contemporary Latvian Artists
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